{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/63d010289632b7001121a435/66dd8ccee3cb6d8da91f5d6b?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"#11 Åsa Unander-Scharin: Opera, dance & robotics","description":"<p>Åsa Unander-Scharin is a professor of music performance at Luleå university of technology. Her works is with the study of the intersection between opera, dance, music, interactive&nbsp;technology and robotics.&nbsp;</p><p>Her artistic work started in 1998 when she created the first choreography for an industrial robot, with many acclaimed works to follow. She has choreographed&nbsp;the Nobel Banquette&nbsp;and two&nbsp;dance films Elevation and Artificial Body Voices produced by the Swedish Television. Her most recent works include&nbsp;two experimental operas&nbsp;Callas:Medea&nbsp;for the Croatian National Opera and&nbsp;The Tale of the Great Computing Machine&nbsp;commissioned by the KTH Royal Institute of Technology.</p><p><br></p><p>Chapters:</p><p>0:00 - Introduction</p><p>1:02&nbsp;- History of Opera</p><p>4:02 - Current technics in Opera&nbsp;</p><p>6:02 - Evolution in the arts</p><p>8:16 - Creating new works</p><p>12:12 - TheTale of the Great Computing Machine</p><p>17:06 - Machines in performative arts&nbsp;</p><p>26:04 - Anthropomorphism&nbsp;</p><p>29:02 - AI art</p><p>39:09 - The artistic experience&nbsp;</p><p>40:45 - Choreography&nbsp;</p><p>43:35 - The modern experience&nbsp;</p><p>48:47 - New operas</p><p>53:00 - Artists and Robots</p><p>1:01:02 - Robot performers&nbsp;</p><p>1:07:56 - Artistic freedom&nbsp;</p><p>1:10:48 - Humanoid robots&nbsp;</p><p>1:13:18 - Robots enjoying art</p><p>1:15:00 - Future works&nbsp;</p><p><br></p>","author_name":"Avid Fayaz"}