{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/63c71357ae4b2c0011ae10d4/6ad81b5acc6f9ca49a8ed0fd?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Runnner Interview","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/63c71357ae4b2c0011ae10d4/1792547580978-a64650d3-2b43-4d98-83a1-5b4733aa8ad5.jpeg?height=200","description":"<p>When A Welcome Kind of Weakness (Runnner’s sophomore album) came out, it carried all the restlessness of its writing: songs imagined while stuck in bed, unable to move. A year later, is the welcome mat still out? This week, Noah Weinman takes us through the record, we talk the limits of naming things, being halfway home at 2:30 a.m., re-recording old songs, and the LA house where it all began.</p><p><br></p><p>Read full transcript <a href=\"https://deeandjue.me/2026/10/20/runnner-interview/\" rel=\"noopener noreferrer\" target=\"_blank\">here</a>. </p><p>Purchase the record <a href=\"https://runnner.bandcamp.com/album/a-welcome-kind-of-weakness\" rel=\"noopener noreferrer\" target=\"_blank\">here</a>. </p>","author_name":"Weajue Mombo"}