{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/63c71357ae4b2c0011ae10d4/6a14624e942fd18754d7114b?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"alice does computer music Interview","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/63c71357ae4b2c0011ae10d4/1779716322846-5908aa19-64cb-413c-93bd-d8aec84c025a.jpeg?height=200","description":"<p>In today's episode of Absent Sounds, we sit with Alice Gerlach: also known as alice does computer music. Her latest record, <em>Bliss</em>, is four ten-minute electroacoustic compositions assembled from cello improvisations, field recordings, and mementos of a life being lived. The record places you in a lush disorienting world full of frog ponds and wind chimes, chopped vocals, leftover audio from tour stops, solar eclipses and more. We cover a range of thoughts, from the terror of the blank page, being connected to your creative center, Hildegard von Bingen's secret language, the KLF setting a million pounds on fire, and why bliss, by Alice's definition, is the fleeting kind. </p><p>The episode ends with a few tracks from BC based musician, hydra:bad. Their latest EP <em>No Diving</em>&nbsp;is a stripped-back but evocative form of electronic club music that sits in a similar register to <em>Bliss.</em> We're grateful for her art and for you. As always, thanks for listening, and be well. You can find the full episode transcript <a href=\"https://deeandjue.me/2026/05/25/alice-does-computer-music-interview/\" rel=\"noopener noreferrer\" target=\"_blank\">here</a>, and more at cjam.ca</p>","author_name":"Weajue Mombo"}