{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/63b458521043e00011114396/69b0b61d57aaa944a9b5a568?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Ed Atkins, artist.","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/63b458521043e00011114396/1773188581001-d4d0a7a8-5ab9-4bd2-b528-ce2241ebc613.jpeg?height=200","description":"<p>Ed Atkins is a British contemporary artist known for his haunting, hyperreal digital videos—works that combine computer-generated bodies, poetic monologues, and a profound sense of longing, absurdity, and decay. Since the early 2010s, his art has been exhibited at major institutions around the world, including <strong>Tate Britain</strong> and <strong>MoMA</strong>, and he’s taken part in various festivals, including the<strong> Venice Biennale</strong>, the <strong>Holland Festival</strong>, and <strong>Manchester International Festival</strong>. </p><p><br></p><p>He’s also written a series of books of poetry and memoir, most recently ‘<strong>Flower</strong>’, which he describes as an anti-memoir. Working across video, text, and performance, he often explores what it means to be human in an age of simulation and screens, where flesh, feeling, and code are increasingly intertwined.&nbsp;</p>","author_name":"Simon Parkin"}