{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6387e1e4c61e240011e44cc4/6adff40dfeb8d1e39c3e8ba1?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Thirteen Black Women in Horror: Nanny with Ana Diop","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6387e1e4c61e240011e44cc4/1793061853119-27cfc230-0cc9-438d-81d7-d34f6c1ecd0a.jpeg?height=200","description":"<p>The last film showed an institution that welcomed Black women in, but only on its own terms. This time, a wealthy household does the same to the woman who cleans it and raises its child, Another house. Another win. In this episode of Podcasting is the New Kink!, I rate The Nanny, exploring its themes of immigration, labor exploitation, and motherhood.</p><p><br></p><p>Disclaimer: This movie was released in 2022. Not 2002 as I stated. 🙂</p><p><br></p><p>Takeaways:</p><p>Anna Diop&#39;s character represents the struggles of undocumented workers.</p><p>The ending leaves viewers with questions about the narrative.</p><p>The film serves as a commentary on motherhood and sacrifice.</p><p><br></p><p><strong>Keep this discussion going on <u><a href=\"https://www.youtube.com/@pinkladyprod\" rel=\"noopener noreferrer\" target=\"_blank\">YT - @pinkladyprod </a></u>and <u><a href=\"https://www.instagram.com/pod.kink/\" rel=\"noopener noreferrer\" target=\"_blank\">IG - @pod.kink</a></u></strong></p>","author_name":"Jasmine Gary"}