{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6355d904dd5e0e0012da88d1/6aa44baaa6e9aef4ccfed8bb?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Why Colleen Allen Turns Away Retailers That Won't Pay Deposits","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6355d904dd5e0e0012da88d1/1789152004001-fe2e4d56-3c41-4b93-9687-4995769edc55.jpeg?height=200","description":"<p>Colleen Allen learned to sew sitting on her grandmother's lap, holding the fabric while her grandmother worked the pedal. Growing up in the Midwest, far from the industry, she found her way in through magazines, fashion blogs and old McQueen shows on YouTube.</p><p><br></p><p>Allen studied menswear at Parsons, moved to London for a semester abroad at Central Saint Martins and asked to stay on to complete her degree. She landed her first job designing menswear at The Row but then something shifted. She decided to venture out on her own and create a womenswear label in 2024. Since then, Allen says the business has grown by triple digits year over year, with no outside investment and no full-time team other than herself. So how did she do it?</p><p><br></p><p>This week on The BoF Podcast, Allen joins BoF founder Imran Amed to talk about the making of a womenswear label, the discipline behind self-funded growth and what she's building next. This conversation was recorded ahead of the LVMH Prize final in Paris, where Allen was one of nine finalists.</p><p><br></p><p><strong>Key Insights:&nbsp;</strong></p><p><br></p><p><br></p><ul><li><strong>A blog-era education:</strong> With no connections to the industry, Allen taught herself fashion through magazines, hand-me-downs and, later, fashion blogs. She describes Alexander McQueen's Plato's Atlantis livestream as a formative moment: \"It just totally blew my mind that there was still something to be discovered and something new and something transformative.\"</li></ul><p><br></p><p><br></p><ul><li><strong>Advocating for herself at Central Saint Martins:</strong> After a single semester abroad, Allen asked to stay at CSM and was told no. \"I thought, no, I'm going to figure it out. I'm going to find a way to stay,\" she says — and by the end of the year, the head of menswear invited her to remain in the programme.</li></ul><p><br></p><p><br></p><ul><li><strong>Leaving menswear to design for her own body:</strong> After years designing menswear at The Row, Allen realised she had \"no connection to my femininity, to my body\" — and that the only way to process that was through her own work. \"The only way I was going to be able to create that space for myself and my sort of own becoming into myself was to be creative, to work through fashion,\" she says.</li></ul><p><br></p><p><br></p><ul><li><strong>Disciplined cash flow management :</strong> Entirely self-funded, Allen has grown her business by only working with retail partners willing to pay a deposit upfront — even if it means turning some away. “We are really only working with people on a deposit basis. Otherwise it's impossible. And so I'm very grateful that within the current retail clients, people have been accommodating for those terms because it's the only way it works.” she says.</li></ul><p><br></p><p><br></p><ul><li><strong>Building a world, not just a product:</strong> Looking ahead, Allen wants to reinvest wholesale revenue into her direct-to-consumer business while continuing to expand the creative universe around the brand — campaign imagery, casting and, eventually, a runway show. \"It's about bringing people into the world and creating more than just the product, but like who our woman is,\" she says.&nbsp;</li></ul><p><br></p><p><strong>Two Books Colleen Allen Recommends:&nbsp;</strong></p><p><br></p><ul><li><a href=\"https://www.penguin.co.uk/books/441776/red-comet-by-clark-heather/9781529113143\" rel=\"noopener noreferrer\" target=\"_blank\">Red Comet</a> by Heather Clark&nbsp;</li><li><a href=\"https://www.penguin.co.uk/books/185871/gods-and-kings-by-thomas-dana/9780241198162\" rel=\"noopener noreferrer\" target=\"_blank\">Gods and Kings</a> by Dana Thomas&nbsp;</li></ul><p><br></p><p><strong>Additional Resources:</strong></p><p><br></p><h4><a href=\"https://www.businessoffashion.com/briefings/fashion-week/what-to-look-out-for-at-new-york-fashion-week/\" rel=\"noopener noreferrer\" target=\"_blank\"><strong><em>What to Look Out for at New York Fashion Week | BoF</em></strong></a></h4><h4><a href=\"https://www.businessoffashion.com/news/luxury/lvmh-announces-young-designers-prize-semifinalists-for-2026/\" rel=\"noopener noreferrer\" target=\"_blank\"><strong><em>LVMH Announces Young Designers’ Prize Semifinalists for 2026 | BoF</em></strong></a></h4><h4><a href=\"https://www.businessoffashion.com/briefings/luxury/new-york-fashion-weeks-identity-crisis/\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>New York Fashion Week’s Identity Crisis | BoF</strong></a></h4>","author_name":"The Business of Fashion"}