{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/63522e8d-da50-5290-b581-8c476e937c17/314eb0e6-870b-4c82-8ae3-1d3c0f236cdc?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"5. Making Art","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61fbf2734925ed1353ec0843/61fbf27c414e0c001163f92f.jpg?height=200","description":"<p>Diaspora art on Instagram is its own thing. Often commenting on “universal” brown girl experiences, like overbearing parents and marginalization, the genre still pulls punches when it comes to cultural commentary. This week Nadya talks to artist Manuja Waldia, whose depictions of brown women coming together in community have broken through the stale conversations online to create a new template for diaspora expression.</p>","author_name":"Kajal Magazine"}