{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/634c160568aa9300122431a1/64ee5370b2c6ea00110bc13a?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"50. TETSUJIN 28 GO (AWAY)","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/634c160568aa9300122431a1/1693340033509-a8b8ba242461e3e8470e75b45123bc9a.jpeg?height=200","description":"<p>Between Metropolis and Star Wars lies a 50 year wasteland of terrible movie robots. Every week we rate the robot from a movie, if it gets a score of 7 out of 10 then we say that it is not a shit robot. Today, we have a cheeky look at not one but TWO Japanese TV animations, Tetsujin 28 GO and Gigantor. They are the same show with the same robot but is it any good?</p><p><br></p><p>WARNING! The S**t-bomb is sometimes uttered but nothing more.&nbsp;</p><p><br></p><p>Twitter: @FiftyYOSR</p><p>Insta: @FiftyYOSR</p><p>TikTok: @FiftyYOSR</p><p><br></p><p><strong>NOTES</strong></p><p><br></p><p>CONSUMING ANIME</p><p><a href=\"https://journals.sagepub.com/doi/full/10.1177/1527476412436986\" rel=\"noopener noreferrer\" target=\"_blank\">https://journals.sagepub.com/doi/full/10.1177/1527476412436986</a></p><p>&nbsp;</p><p>WHY DID THE JAPANESE DRAW THEMSELVES WHITE?</p><p><a href=\"https://www.theatlantic.com/culture/archive/2010/09/why-do-the-japanese-draw-themselves-as-white/340084/\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.theatlantic.com/culture/archive/2010/09/why-do-the-japanese-draw-themselves-as-white/340084/</a></p>","author_name":"Matt Brown"}