{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/63486eef60e2d50012d84c80/63bca35d7ae74e0010999fc6?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Bodies of Horror: Episode 40 - Rear Window (1954 / 1998)","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/63486eef60e2d50012d84c80/1673306117845-0b8d9f4840bbca156addeef2cee1dadd.jpeg?height=200","description":"<p>In this episode, Nichole is tackling a heavy hitter: 1954’s <em>Rear Window</em>, directed by Alfred Hitchcock and starring Jimmy Stewart and Grace Kelly, along with conversation about 1998 made-for-TV remake starring Christopher Reeves. </p><p>This was a big one and Nichole couldn’t do it alone, so she brought in her friend Kevin - a fairly intense Hitchcock film fan and all-around phenomenal human being.&nbsp;</p><p>Additional reading:</p><ul><li>Laura Christiansen&nbsp;<a href=\"https://link.springer.com/chapter/10.1057/9781137363640_12\" rel=\"noopener noreferrer\" target=\"_blank\">‘There’s No Losing It”: Disability and Voyeurism in Rear Window and Vertigo</a></li><li>Nancy Fuhr. <a href=\"https://web.njit.edu/~steffen/Dr_%20Nancy%20Steffen-Fluhr_files/Steffen-Fluhr.pdf\" rel=\"noopener noreferrer\" target=\"_blank\">Disabled by Desire: Body Doubles in Rear Window' (1954) and Rear Window (1998)</a></li><li>Ian Gardner. <a href=\"https://auatv.com/behind-the-screens/what-rear-window-can-tell-us-about-life-today\" rel=\"noopener noreferrer\" target=\"_blank\">What Rear Window Can Tell Us About Life Today</a></li><li>Kristin Lopez. <a href=\"https://kristenlopez.substack.com/p/christopher-reeve-and-1998s-rear\" rel=\"noopener noreferrer\" target=\"_blank\">Christopher Reeve and 1998's 'Rear Window'</a></li><li>Taylor Tucker. <a href=\"https://works.swarthmore.edu/cgi/viewcontent.cgi?article=1016&amp;context=suhj\" rel=\"noopener noreferrer\" target=\"_blank\">\"Rear Window\": Polio as a Cultural Ambience</a></li><li>Todd Shapera. <a href=\"https://www.nytimes.com/1998/08/02/nyregion/movie-offers-a-window-into-life-of-reeve.html\" rel=\"noopener noreferrer\" target=\"_blank\">Movie Offers A Window Into Life Of Reeve</a></li><li>John T. Dunn. <a href=\"https://digitalcommons.lsu.edu/cgi/viewcontent.cgi?article=1757&amp;context=gradschool_dissertations\" rel=\"noopener noreferrer\" target=\"_blank\">The Representation of Disability in the Music of Alfred Hitchcock Films</a></li></ul><p>&nbsp;</p><p>Additional Listening:</p><ul><li>Horror Queers. <em>'</em><a href=\"https://bloody-disgusting.com/podcasts/3677699/rope-horror-queers-podcast/\" rel=\"noopener noreferrer\" target=\"_blank\"><em>Rope</em>.'</a></li></ul><p><br></p><p>Want to recommend a film to be covered, or just reach out and say hello? Of course you do! Shoot me an e-mail&nbsp;at <a href=\"mailto:bodiesofhorror@gmail.com\" rel=\"noopener noreferrer\" target=\"_blank\">bodiesofhorror@gmail.com</a>.</p><p>Intro and outro music is “The Wind Frazzled Your Long Brown Hair” by Flashback81. Follow them at Twitter now, too: @81flashback</p><p>If you like the podcast, please rate, review, and subscribe!</p><p>Discover more fabulously spooky Anatomy of a Scream Pod Squad shows at&nbsp;<a href=\"http://anatomyofascream.com/\" rel=\"noopener noreferrer\" target=\"_blank\">anatomyofascream.com</a>&nbsp;and follow the network on Twitter and Instagram @aoas_xx</p>","author_name":"Valeska Griffiths & Joe Lipsett"}