{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/632104d8a242640013e3396b/6321097d9839fc0012e3744e?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Arts & Innovation Representation: Music Sampling","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/632104d8a242640013e3396b/1663114552157-c11567c34ff553d1d21b1c2c2e21195d.jpeg?height=200","description":"<p>In this episode, UC Berkeley Law students and AIR members Brooke Henderson, Dallin Johnson, and Plakshi Jain speak with special guests Sandy Wilbur, a forensic musicologist, and Josh Schroeder, an attorney with the California and Oregon Bar. This episode explores the legal framework around music and copyright by diving into compositions by artists like the Beatles, Slide, Robin Thicke, and more.</p><p><br></p><p>For a transcript, please&nbsp;<a href=\"https://www.law.berkeley.edu/podcast-episode/power-of-pro-bono-presents-arts-innovation-representation-air-on-music-sampling/\" rel=\"noopener noreferrer\" target=\"_blank\">visit the episode page</a>&nbsp;on the Berkeley Law podcast hub.</p>","author_name":"Berkeley Law Pro Bono Program"}