{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6320bef6ee656200134cd663/69a07b08240faaa9b5afddea?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Jill Tookey","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6320bef6ee656200134cd663/1774909901017-ecd210c0-3011-402f-b0bc-062c2699ad1e.jpeg?height=200","description":"<p>Jill Tookey, the founder of National Youth Ballet of Great Britain (NYB), in conversation here with Frank Freeman, explains how she set about it, and what her vision was. She gives a breathtaking insight into how all the different and necessary strands of activity plait together to create something worthwhile. She speaks engagingly about some of the ballets created for NYB, and about working on them with esteemed members of the ballet world, such as John Lanchbery and Wayne Sleep. The interview was recorded in 2010 and is introduced by Anna Meadmore.</p><p><br></p><p>Born in Kent in 1937, Jill Tookey arrived at what was to be her dancing destiny by an unusual route. She had enjoyed ballet as a child but was swallowed up by the fashion industry of the 1960s, becoming fashion editor for both <em>Woman and</em> <em>Beauty </em>and <em>Honey</em> magazines. By the 1980s, and as mother of four children, she had begun writing childrens’ books. <em>Pedro the Parrot</em>, published by Thames and Hudson, was to be the springboard for an extraordinary adventure. To set Pedro dancing, music was found and also a choreographer. From there Tookey never looked back. She was alert to the huge interest in dancing and performance in the young and how, with the right build up, they could channel their excitement into something truly worthwhile.</p><p>By 1988 Tookey had founded the National Youth Ballet of Great Britain (NYB) and she remained its artistic director until she died in 2016. She was always able to see the bigger picture as well as the details, with many ballets specially created for NYB and many young choreographers and dancers encouraged. As a result of her inspired and energetic leadership, literally thousands of children have had opportunities to enjoy the magical world of the theatre, with a number going on to dance professionally. Jill Tookey was appointed a CBE in 2016, but died that same year, and, sadly, was unable to collect her award. She was represented at the investiture by her ten-year-old granddaughter, who had danced with NYB for four years.</p>","author_name":"Voices of British Ballet"}