{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/62f5fdcb8cf2d8001263d48c/6783e1ecd06eb1ee2e4881c0?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Visceral Writing, with guest Gill Simpson","description":"<p>Gill Simpson studied English at Leeds, and after another career, studied for a master’s degree in theology and then taught theology and religious studies in a university.&nbsp;She is now completing a doctorate, using autoethnography, and she talks with us about her earlier experience of academic writing as a visceral, physical experience – using handwriting rather than a word-processor.&nbsp;The French philosopher Derrida praises handwriting too, as ‘with the computer, everything is rapid and so easy; you get to thinking that you can go on revising for ever’.&nbsp;Recently, Gill has rediscovered the value of handwriting in academic writing, as it makes it more personal and engaging.&nbsp;That is also related to her doctoral work on how the ‘personal’ is often driven out of higher education, through focus on structures and other minutiae.&nbsp;Writing freely should not, however, be a luxury.&nbsp;</p><p>&nbsp;</p><p>In an even more visceral metaphor, Gill talks about academic writing as being too often just about the head, with the body, like a headless horseman, allowed to gallop away into the distance.&nbsp;Academic writers need to focus on ‘how to’ issues, but these should include ‘how to <em>be</em>’ issues.&nbsp;In the future, Gill hopes to do more work encouraging freewriting, and encouraging <em>joy</em> in academic writing.</p>","author_name":"Julian Stern"}