{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/62f5fdcb8cf2d8001263d48c/65a3cc86b614a800174591cf?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The power of creative critical voices","description":"<p>We have a guest, Philip Yeung, who talks about some of the academic writing he has done and is doing.&nbsp;Being critical and being creative were both important, and surprisingly similar.&nbsp;Both were and are also connected to leadership.&nbsp;Distributed leadership means listening to many voices; critical academic writing means taking account of many different voices.&nbsp;Being creative means doing something with those voices – developing your own theory or theoretical framework.&nbsp;</p><p><br></p><p>Just like a novelist will have many characters in the novel, but it still has one author (as the critic Bakhtin said – referring to this as <em>heteroglossia</em>), so, good academic writing will have many voices, each represented well by the author.&nbsp;We could say that typical academic writing, then, is a bit like a typical novel – many-voiced if single-authored.&nbsp;Philip stressed the <em>public</em> value of academic writing being many-voiced, critical, and creative.&nbsp;It responds to government and other powerful groups who often try to limit people to a single voice, a single point of view.&nbsp;So academic writing can give us agency in a power system.&nbsp;That’s a powerful message for us all!</p>","author_name":"Julian Stern"}