{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/62f5fdcb8cf2d8001263d48c/64023209b692b00011ca38f1?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"On not being boring","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/cover/1660287941141-1346eb3bef9b507a616c8142ca15321f.jpeg?height=200","description":"<p>Being boring – in spoken conversation or in writing (which is also a part of a conversation) – is something familiar to us.&nbsp;We’ve all felt trapped by a boring conversationalist at an event, and have all been bored by a particular article or book.&nbsp;If we’re honest, we’ve probably also managed to <em>be</em> boring ourselves, sometimes, on a bad day&nbsp;What does it mean to be a boring speaker or – for this podcast – writer?&nbsp;Usually, being boring means carrying on conversing after the other person has stopped listening or concentrating.&nbsp;It therefore isn’t the topic or the person being boring, on their own: it is a result of the relationship between the two people in the conversation.&nbsp;This is why we need to <em>listen</em>, as writers.&nbsp;Listen to our (hoped-for) readers, listen to what questions readers might come up with: we need to see our writing as part of a conversation, and one in which we show as much interest in our readers as we do in the topic and in how much we know.</p>","author_name":"Julian Stern"}