{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/62f3fa457f77c400141ebe02/62f3fa4af5538c0014091a09?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Modern Horror and ‘It Comes at Night’ Director Trey Edward Shults | The Big Picture (Ep. 15)","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/62f3fa457f77c400141ebe02/62f3fa4af5538c0014091a09.jpeg?height=200","description":"Ringer editor-in-chief Sean Fennessey and film critic K. Austin Collins discuss the emergence of modern horror films like ‘The Witch’ and the increasing emphasis on tone over standard horror tropes (1:00). Then, Sean is joined by Trey Edward Shults, who explains how working through his own darkness led to making his latest film, ‘It Comes At Night’ (15:50).\n      <p> </p><p>Learn more about your ad choices. Visit <a href=\"https://podcastchoices.com/adchoices\">podcastchoices.com/adchoices</a></p>","author_name":"The Ringer"}