{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/62f3fa457f77c400141ebe02/62f3fa49f5538c001409199d?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"'The Wife'-a-Palooza, Plus Barry Alexander Brown on Editing ‘BlacKkKlansman’ | The Oscars Show (Ep. 123)","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/62f3fa457f77c400141ebe02/62f3fa49f5538c001409199d.jpeg?height=200","description":"<p>We spend an inordinate amount of time talking about ‘The Wife,’ Glenn Close’s latest film that will likely net her her first Best Actress win at the Oscars (1:09). Then we assess the stock of ‘Bohemian Rhapsody,’ ‘A Star Is Born,’ and ‘Roma’ after the Directors Guild Awards (40:30). Finally, Sean sits down with ‘BlacKkKlansman’ editor Barry Alexander Brown to discuss working with Spike Lee and the role of an editor in the filmmaking process (59:15).</p><p><br></p><p>Hosts: Sean Fennessey, Amanda Dobbins</p><p>Guest: Barry Alexander Brown</p>\n      <p> </p><p>Learn more about your ad choices. Visit <a href=\"https://podcastchoices.com/adchoices\">podcastchoices.com/adchoices</a></p>","author_name":"The Ringer"}