{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/62ed1958940e300013af6705/6303ecd4b865ae0014968bf7?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Steady Song - Republic of Loose ","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/cover/1659705586012-d4b771f56162fc6c88a0d1c5d7979996.jpeg?height=200","description":"<p>Dublin band Republic of Loose has been described by Sinéad O’Connor as ‘The best Irish Band ever.’ With a stream of hits like Comeback Girl, I Like Music, You know it and The Steady Song, the band has solidified themselves as a staple of Irish music.</p><p><br></p><p>This episode of Popcheol will revisit the band’s ‘The Steady Song’, telling the story of the song from the perspective of the band’s guitarist and songwriter Brez Breslin. I also investigate the popularity of the song within the context of the Celtic Tiger and how the song reflects a change in Irish music and society.</p><p><br></p><p>Thanks again to my guests Brez Breslin and Local Boy</p><p><br></p><p>Guests can be found:</p><p>@republicofloose</p><p>@localboy3000</p><p><br></p><p><strong>Music featured in this episode:</strong></p><p>‘The Steady Song’ - Republic of Loose</p><p>‘The Steady Song’ demo recording - Republic of Loose</p><p>Sonstiges&nbsp;by&nbsp;<a href=\"http://soundofpicture.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Podington Bear</a> is licensed under a&nbsp;<a href=\"https://creativecommons.org/licenses/by-nc/4.0\" rel=\"noopener noreferrer\" target=\"_blank\">Attribution-NonCommercial 4.0 International License</a></p><p>Back Stairs&nbsp;by&nbsp;<a href=\"http://soundofpicture.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Podington Bear</a> is licensed under a&nbsp;<a href=\"https://creativecommons.org/licenses/by-nc/4.0\" rel=\"noopener noreferrer\" target=\"_blank\">Attribution-NonCommercial 4.0 International License</a></p><p>Sunday Afternoon&nbsp;by&nbsp;<a href=\"http://soundofpicture.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Podington Bear</a> is licensed under a&nbsp;<a href=\"https://creativecommons.org/licenses/by-nc/3.0/\" rel=\"noopener noreferrer\" target=\"_blank\">Attribution-NonCommercial 3.0 International License</a>.</p><p>Melodramatic Band&nbsp;by&nbsp;<a href=\"http://soundofpicture.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Podington Bear</a> is licensed under a&nbsp;<a href=\"https://creativecommons.org/licenses/by-nc/4.0\" rel=\"noopener noreferrer\" target=\"_blank\">Attribution-NonCommercial 4.0 International License</a></p><p>Buddy Guy&nbsp;by&nbsp;<a href=\"http://soundofpicture.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Podington Bear</a> is licensed under a&nbsp;<a href=\"https://creativecommons.org/licenses/by-nc/3.0/\" rel=\"noopener noreferrer\" target=\"_blank\">Attribution-NonCommercial 3.0 International License</a>.</p><p><br></p><p><strong>Works Cited:</strong></p><p>McKinney, Kelsey. ‘The music theory principle that unifies 2016’s radio hits.' <em>Vox</em>, 2016<strong>.</strong> <a href=\"https://www.vox.com/culture/2016/12/26/13956220/top-40-ambiguous-key-centers-bieber-chainsmokers-adele\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.vox.com/culture/2016/12/26/13956220/top-40-ambiguous-key-centers-bieber-chainsmokers-adele</a></p>","author_name":"Hilary Barry"}