{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/62d8a4173f5fe40012ba37da/69f0a1667beb81286951b62e?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"S4 E26: TOM GLYNN-CARNEY","description":"<p>This week Dave and George are joined by Tom Glynn-Carney for a career-spanning chat that can generally be plotted out by a series of extreme haircuts. </p><p><br></p><p>From The King (\"doormat mullet\"), to House of The Dragon (\"the blonde face-lift\") and beyond (eg Rialto's \"bleach blonde barnet\") Tom says it's a miracle he's still got hair after a career of transformations. </p><p><br></p><p>The episode also gives 2019's Tolkien an incredible amount of air time, including one of the best stories about Lord Of The Rings you ever likely to hear, and that's really not overselling it. </p><p><br></p><p>Along the way Tom also discusses how Bryan Cranston helped create a \"perfect\" atmosphere behind-the-scenes on All My Sons and the trip to New York that almost made him miss the show's finale. </p><p><br></p><p>Follow us on Instagram: @beforethelightsuk.</p><p>Head to beforethelights.co.uk to apply for membership.</p><p><br></p><p>This episode was recorded at Fiction Studios, situated at Before The Lights.</p>","author_name":"Before the Lights"}