{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/62bc729dcf1ab400126c1e1b/6a9c52182a7730b896c787df?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Fling ii: Modular Synths, Pedal Steel, and Michigan Motorik","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/62bc729dcf1ab400126c1e1b/1788629432023-14c6b113-7555-432b-838f-d3d8adefb017.jpeg?height=200","description":"<p>This week we're putting <em>The Tonearm</em>'s needle on Ann Arbor krautrock band <strong>Fling ii</strong>.</p><p>I sat down with drummer and synthesist Brad Gowland, and guitarist Richard Murphy, to chat about their third album, <em>3</em>, which is out now on We Are Busy Bodies. It’s six tracks cut down from hours of studio jamming.</p><p>We talk about Richard's path from ambient guitar to doom metal, Brad finding four minutes inside a fifty-minute take, and how a Magic: The Gathering card - and a commune breakup - inspired the band’s name.</p><p>(The musical excerpts heard in the interview are from Fling ii’s <em>3</em>)</p><p>—</p><h2><strong>Dig Deeper</strong></h2><p><strong>Fling ii:</strong></p><ul><li>Visit Fling ii on <a href=\"https://fling2.bandcamp.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Bandcamp</a>, where the full catalog lives</li><li>Purchase <em>3</em> from <a href=\"https://store.wearebusybodies.com/products/fling-ii-3-pre-order\" rel=\"noopener noreferrer\" target=\"_blank\">We Are Busy Bodies</a>, <a href=\"https://fling2.bandcamp.com/album/3\" rel=\"noopener noreferrer\" target=\"_blank\">Bandcamp</a>, or <a href=\"https://www.qobuz.com/us-en/album/3-fling-ii/zivgq8cipp4yi\" rel=\"noopener noreferrer\" target=\"_blank\">Qobuz</a>, and listen on your <a href=\"https://album.link/i/6778560438\" rel=\"noopener noreferrer\" target=\"_blank\">streaming platform of choice</a>.</li><li><em>2</em> (2024), the record that introduced Dave Van Dusen's pedal steel — <a href=\"https://fling2.bandcamp.com/album/2\" rel=\"noopener noreferrer\" target=\"_blank\">Bandcamp</a></li><li>The self-titled debut (2022), seven tracks from the band's first weekend at Willis Sound — <a href=\"https://fling2.bandcamp.com/album/fling-ii\" rel=\"noopener noreferrer\" target=\"_blank\">Bandcamp</a></li><li>The debut's 2024 vinyl reissue on Italy's <a href=\"https://blacksweat.bandcamp.com/album/fling-ii\" rel=\"noopener noreferrer\" target=\"_blank\">Black Sweat Records</a>, distributed by <a href=\"https://forcedexposure.com/Catalog/fling-ii-fling-ii-lp/BS.092LP.html\" rel=\"noopener noreferrer\" target=\"_blank\">Forced Exposure</a></li></ul><p><strong>The Studio and the Label:</strong></p><ul><li><a href=\"https://www.willis-sound.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Willis Sound</a> — the converted church in Willis, Michigan where every Fling ii record has been made</li><li><a href=\"https://wearebusybodies.com/\" rel=\"noopener noreferrer\" target=\"_blank\">We Are Busy Bodies</a>, the Toronto label behind <em>3</em> — and <a href=\"https://exclaim.ca/music/article/we-are-busy-bodies-anniversary-eric-warner-interview\" rel=\"noopener noreferrer\" target=\"_blank\">Exclaim!'s interview with founder Eric Warner</a> on the label's first twenty years</li><li>The label's roster on <a href=\"https://wearebusybodies.bandcamp.com/artists\" rel=\"noopener noreferrer\" target=\"_blank\">Bandcamp</a></li></ul><p><strong>Elsewhere in the Band:</strong></p><ul><li><a href=\"https://sifjar.bandcamp.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Sif</a>, Richard Murphy's instrumental doom project, which Brad Gowland produces and programs drums for</li></ul><p><strong>Musical References:</strong></p><ul><li><a href=\"https://neumusic.bandcamp.com/track/hallogallo\" rel=\"noopener noreferrer\" target=\"_blank\">Neu!'s \"Hallogallo\"</a> — the track Richard played Brad in high school, and the founding reference point for the band</li><li>Earth's <a href=\"https://southernlord.com/store/the-bees-made-honey-in-the-lions-skull/\" rel=\"noopener noreferrer\" target=\"_blank\"><em>The Bees Made Honey in the Lion's Skull</em></a> (Southern Lord, 2008), the ambient half of Brad's original pitch — also on <a href=\"https://earthsl.bandcamp.com/track/the-bees-made-honey-in-the-lions-skull\" rel=\"noopener noreferrer\" target=\"_blank\">Bandcamp</a></li><li><a href=\"https://beholdtheelder.bandcamp.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Elder</a>, the stoner-metal band whose turn to unqualified krautrock Richard cites</li><li>Blood Incantation's <a href=\"https://bloodincantation.bandcamp.com/album/timewave-zero-2\" rel=\"noopener noreferrer\" target=\"_blank\"><em>Timewave Zero</em></a>, the synth record Brad keeps returning to</li><li><a href=\"https://waterdamageatx.bandcamp.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Water Damage</a>, the Austin group whose <a href=\"https://waterdamage12xu.bandcamp.com/album/in-e\" rel=\"noopener noreferrer\" target=\"_blank\"><em>In E</em></a> the live show came to resemble</li><li><a href=\"https://monolithcocktail.com/a-z/archive/amon-duul-ii/\" rel=\"noopener noreferrer\" target=\"_blank\">Amon Düül II</a>, whose split from their parent commune gave the band its name</li><li><a href=\"https://ohsees.bandcamp.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Osees</a>, whose cover art set the visual template</li></ul><p><strong>Scenes and Support:</strong></p><ul><li><a href=\"https://r-solomon.bandcamp.com/\" rel=\"noopener noreferrer\" target=\"_blank\">R. Solomon</a>, the goth synth-pop act who shared the Ann Arbor bill</li><li><a href=\"https://linktr.ee/ryanspencer\" rel=\"noopener noreferrer\" target=\"_blank\">Ryan Spencer</a>, the Detroit DJ and producer whose new project closed the show</li><li><a href=\"https://nolasynthcult.bandcamp.com/\" rel=\"noopener noreferrer\" target=\"_blank\">New Orleans Synth Cult</a>, the collective Richard describes playing laundromats — also on <a href=\"https://www.instagram.com/nolasynthcult/\" rel=\"noopener noreferrer\" target=\"_blank\">Instagram</a></li></ul><p><strong>Read More:</strong></p><ul><li><a href=\"https://retrofuturista.com/fling-ii-interview-motorik-grooves-pedal-steel-and-recording-at-willis-sound/\" rel=\"noopener noreferrer\" target=\"_blank\">RetroFuturista's August 2026 interview with Brad Gowland</a>, on motorik, pedal steel, and recording at Willis Sound</li><li><a href=\"https://15questions.net/interview/fling-ii-about-krautrock/page-1/\" rel=\"noopener noreferrer\" target=\"_blank\">Fifteen Questions</a>: Fling ii about krautrock</li></ul><p><strong>Elsewhere on The Tonearm:</strong></p><ul><li><a href=\"https://podcast.thetonearm.com/suzanne-ciani-the-buchlas-orchestral-homecoming/\" rel=\"noopener noreferrer\" target=\"_blank\">Suzanne Ciani: The Buchla's Orchestral Homecoming</a> — the episode Brad name-checks at the close, and its companion article, <a href=\"https://www.thetonearm.com/speaking-the-word-of-the-buchla-suzanne-ciani-orchestral-wave/\" rel=\"noopener noreferrer\" target=\"_blank\">Speaking the Word of the Buchla</a></li></ul><p>—</p><ul><li>Dig into this episode's complete show notes at <a href=\"https://www.podcast.thetonearm.com\" rel=\"noopener noreferrer\" target=\"_blank\">podcast.thetonearm.com</a></li></ul><p>—</p><p>• Did you enjoy this episode? 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