{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/62bc729dcf1ab400126c1e1b/6a80b5b7248fe5d9f85beb8f?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Josh Mason: Punk and Circuitry, Zippered Together","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/62bc729dcf1ab400126c1e1b/1786819933287-f7463310-245e-46b3-99eb-10588bc1e8b5.jpeg?height=200","description":"<p>This week we're putting <em>The Tonearm</em>'s needle on Florida sound artist <strong>Josh Mason</strong>.</p><p>Mason’s new album, <em>Kicking A Dark Horse</em>, is out now on greyfade as a hardcover book paired with modular synthesizer music, the two built to zipper together rather than stand apart.</p><p>We talk about the punk rock roots underneath all that circuitry, why only the album's first and last tracks have a fixed place, and what Cortázar's <em>Hopscotch</em> has to do with any of it.</p><p>(The musical excerpts heard in the interview are from Josh Mason's <em>Kicking A Dark Horse</em>)</p><p>—</p><h2><strong>Dig Deeper</strong></h2><p><strong>Artist and Album:</strong></p><ul><li>Visit Josh Mason at <a href=\"https://joshmason.info/\" rel=\"noopener noreferrer\" target=\"_blank\">joshmason.info</a> and follow on <a href=\"https://instagram.com/primitivecoastalelectronics\" rel=\"noopener noreferrer\" target=\"_blank\">Instagram</a> and <a href=\"https://j-w-m.bandcamp.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Bandcamp</a></li><li>Purchase <em>Kicking A Dark Horse</em> — <a href=\"https://j-w-m.bandcamp.com/album/kicking-a-dark-horse\" rel=\"noopener noreferrer\" target=\"_blank\">Bandcamp</a> (FOLIO hardcover + digital)</li><li>European orders — <a href=\"https://www.soundohm.com/product/kicking-a-dark-horse-book\" rel=\"noopener noreferrer\" target=\"_blank\">Soundohm</a></li><li><a href=\"https://www.greyfade.com/catalog/012\" rel=\"noopener noreferrer\" target=\"_blank\"><em>Kicking A Dark Horse</em> — full catalog page, credits, and press</a></li></ul><p><strong>Label and Format:</strong></p><ul><li><a href=\"https://www.greyfade.com/\" rel=\"noopener noreferrer\" target=\"_blank\">greyfade</a></li><li><a href=\"https://www.greyfade.com/folio\" rel=\"noopener noreferrer\" target=\"_blank\">The FOLIO format</a> — greyfade's hardcover book music edition; <em>Kicking A Dark Horse</em> is the third release</li><li><a href=\"https://www.greyfade.com/artists/josh-mason\" rel=\"noopener noreferrer\" target=\"_blank\">Josh Mason's greyfade artist page</a></li><li><a href=\"https://www.greyfade.com/app\" rel=\"noopener noreferrer\" target=\"_blank\">greyfade listening platform</a></li></ul><p><strong>Collaborators:</strong></p><ul><li><a href=\"https://www.greyfade.com/artists/joseph-branciforte/bio\" rel=\"noopener noreferrer\" target=\"_blank\">Joseph Branciforte</a> — greyfade founder, co-producer, mastering engineer, and FOLIO interior designer</li><li><a href=\"https://josephbranciforte.substack.com/p/in-conversation-josh-mason-and-joseph\" rel=\"noopener noreferrer\" target=\"_blank\">\"In Conversation: Josh Mason &amp; Joseph Branciforte\"</a> — the long-form interview at Branciforte's <em>Patch Notes</em>, covering the gear, the writing, and the punk ethos in Mason's own words</li></ul><p><strong>Instruments and Method:</strong></p><ul><li><a href=\"https://www.perfectcircuit.com/signal/xaoc-leibniz-interview\" rel=\"noopener noreferrer\" target=\"_blank\">Xaoc Devices Leibniz subsystem</a> — the binary-logic modular system the record was built on, which Mason has called \"the final boss… in terms of instrument design that made no sense to me\"</li></ul><p><strong>Literary References:</strong></p><ul><li><a href=\"https://www.penguinrandomhouse.com/books/32202/hopscotch-by-julio-cortazar/\" rel=\"noopener noreferrer\" target=\"_blank\"><em>Hopscotch</em> by Julio Cortázar</a> — the 1963 novel with an alternate scrambled reading order, translated by Gregory Rabassa</li><li><a href=\"https://www.ndbooks.com/book/the-unfortunates/\" rel=\"noopener noreferrer\" target=\"_blank\"><em>The Unfortunates</em> by B.S. Johnson</a> — the 1969 \"book in a box,\" 27 unbound sections with only the first and last fixed</li><li><a href=\"https://www.penguinrandomhouse.com/books/670253/how-to-write-one-song-by-jeff-tweedy/\" rel=\"noopener noreferrer\" target=\"_blank\"><em>How to Write One Song</em> by Jeff Tweedy</a> — the songwriting book Lawrence cites on writing by removal</li></ul><p><strong>Art References:</strong></p><ul><li><a href=\"https://www.theguardian.com/artanddesign/gallery/2008/sep/24/rothko.tate\" rel=\"noopener noreferrer\" target=\"_blank\">Mark Rothko at Tate Modern</a> — the Rothko Room, hung according to the artist's own lighting stipulations: \"The light, whether natural or artificial, should not be too strong\"</li></ul><p><strong>Selected Press for <em>Kicking A Dark Horse</em>:</strong></p><ul><li><a href=\"https://igloomag.com/reviews/josh-mason-kicking-a-dark-horse-greyfade\" rel=\"noopener noreferrer\" target=\"_blank\">IGLOO</a></li><li><a href=\"https://www.popmatters.com/josh-mason-kicking-dark-horse\" rel=\"noopener noreferrer\" target=\"_blank\">PopMatters</a></li><li><a href=\"https://www.brainwashed.com/index.php?option=com_content&amp;view=article&amp;id=33242:josh-mason-kicking-a-dark-horse&amp;catid=101&amp;Itemid=855\" rel=\"noopener noreferrer\" target=\"_blank\">Brainwashed</a></li><li><a href=\"https://www.textura.org/archives/b/brancifortedumoulin_mason.htm\" rel=\"noopener noreferrer\" target=\"_blank\">Textura</a></li><li><a href=\"https://15questions.net/interview/josh-mason-all-things-modular/page-1/\" rel=\"noopener noreferrer\" target=\"_blank\">15 Questions</a></li><li><a href=\"https://foxydigitalis.zone/2026/08/04/songs-of-our-lives-136-josh-mason/\" rel=\"noopener noreferrer\" target=\"_blank\">Foxy Digitalis</a></li></ul><p>—</p><ul><li>Dig into this episode's complete show notes at <a href=\"https://www.podcast.thetonearm.com\" rel=\"noopener noreferrer\" target=\"_blank\">podcast.thetonearm.com</a></li></ul><p>—</p><p>• Did you enjoy this episode? Please share it with a friend! You can also rate <em>The Tonearm</em> ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.</p><p>• Subscribe! Be the first to check out each new episode of <em>The Tonearm</em> in your podcast app of choice.</p><p>• Looking for more? Visit <a href=\"https://podcast.thetonearm.com\" rel=\"noopener noreferrer\" target=\"_blank\">podcast.thetonearm.com</a> for bonus content, web-only interviews + features, and the <em>Talk Of The Tonearm</em> email newsletter. You can also follow us on <a href=\"https://bsky.app/profile/thetonearm.com\" rel=\"noopener noreferrer\" target=\"_blank\">Bluesky</a>, <a href=\"https://social.lol/@thetonearm\" rel=\"noopener noreferrer\" target=\"_blank\">Mastodon</a>, <a href=\"https://www.youtube.com/@TheTonearm\" rel=\"noopener noreferrer\" target=\"_blank\">YouTube</a>, and <a href=\"https://www.linkedin.com/company/the-tonearm/\" rel=\"noopener noreferrer\" target=\"_blank\">LinkedIn</a>.</p><p>• Be sure to bookmark our online magazine, <em>The Tonearm</em>! → <a href=\"https://www.thetonearm.com\" rel=\"noopener noreferrer\" target=\"_blank\">thetonearm.com</a></p>","author_name":"Lawrence Peryer"}