{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/62bc729dcf1ab400126c1e1b/6a528924d2dde6b09a578ebe?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Steven Bernstein: The Trumpet's Blank Slate","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/62bc729dcf1ab400126c1e1b/1783793812484-5fd119a6-31ff-486f-999c-875ae81ef9c2.jpeg?height=200","description":"<p>This week we’re putting <em>The Tonearm</em>'s needle on trumpeter, composer, and bandleader <strong>Steven Bernstein</strong>. </p><p>Amongst his many activities, Steven leads Sexmob and the Millennial Territory Orchestra and serves as Laurie Anderson's musical director. </p><p>He's out now with an entwined set of albums. <em>ResoNation Trio</em> pares him down to valve trumpet, bass, and drums with Scott Colley and Nasheet Waits. <em>Ultra Resonance</em> is producer Scotty Hard's full reinvention of that same recording. </p><p>We talk about why a trumpet trio gave him a blank slate, what Burning Spear has to do with <em>Ultra Resonance</em>, and what it means to still be playing Levon Helm's music twenty-two years from when he started. </p><p>(The musical excerpts heard in the interview are from Steven Bernstein’s albums, <em>ResoNation Trio</em> and <em>Ultra Resonance</em>)</p><p>—</p><h2><strong>Dig Deeper</strong></h2><p><strong>Steven Bernstein:</strong></p><ul><li>Visit Steven Bernstein at <a href=\"https://www.stevenbernstein.net\" rel=\"noopener noreferrer\" target=\"_blank\">stevenbernstein.net</a> and browse his <a href=\"https://www.stevenbernstein.net/projects\" rel=\"noopener noreferrer\" target=\"_blank\">projects</a> — including Sexmob and the Millennial Territory Orchestra</li><li>Purchase <em>ResoNation Trio</em> and <em>Ultra Resonance</em> from <a href=\"https://royalpotatofamily.com/product/steven-bernstein-resonation-trio-ultra-resonance/\" rel=\"noopener noreferrer\" target=\"_blank\">Royal Potato Family</a>, <a href=\"https://stevenbernstein.bandcamp.com/album/resonation-trio-ultra-resonance\" rel=\"noopener noreferrer\" target=\"_blank\">Bandcamp</a>, or <a href=\"https://www.qobuz.com/us-en/album/resonation-trio-steven-bernstein/eaaj9mlahuluu\" rel=\"noopener noreferrer\" target=\"_blank\">Qobuz</a>, and listen on your <a href=\"https://orcd.co/resonationtrio\" rel=\"noopener noreferrer\" target=\"_blank\">streaming platform of choice</a></li><li>Read the <a href=\"https://www.allaboutjazz.com/resonation-trio-ultra-resonance-steven-bernstein-royal-potato-family\" rel=\"noopener noreferrer\" target=\"_blank\">All About Jazz review</a>.</li></ul><p><strong>The Trio and Collaborators:</strong></p><ul><li><a href=\"https://scottcolley.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Scott Colley</a> — bass</li><li><a href=\"https://www.nasheetwaits.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Nasheet Waits</a> — drums</li><li><a href=\"https://scottyhard.nyc/\" rel=\"noopener noreferrer\" target=\"_blank\">Scotty Hard</a> — producer of <em>Ultra Resonance</em></li></ul><p><strong>Bands, Projects, and Company Kept:</strong></p><ul><li>Laurie Anderson with Sexmob, <em>Let X=X</em> (Live) on <a href=\"https://www.nonesuch.com/albums/let-x-x\" rel=\"noopener noreferrer\" target=\"_blank\">Nonesuch</a></li><li><a href=\"https://levonhelm.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Levon Helm Studios</a> and the <a href=\"https://levonhelm.com/ramble\" rel=\"noopener noreferrer\" target=\"_blank\">Helm Family Midnight Ramble</a>, Woodstock, NY</li></ul><p><strong>Musical Touchstones:</strong></p><ul><li>Burning Spear, <em>Garvey's Ghost</em> (1976) — the dub companion to <em>Marcus Garvey</em> that seeded the <em>Ultra Resonance</em> concept: <a href=\"https://en.wikipedia.org/wiki/Garvey%27s_Ghost\" rel=\"noopener noreferrer\" target=\"_blank\">Wikipedia</a> · <a href=\"https://album.link/i/1469578268\" rel=\"noopener noreferrer\" target=\"_blank\">streaming</a></li><li>Miles Davis, <em>Panthalassa: The Music of Miles Davis 1969–1974</em>, reconstructed by Bill Laswell — a precedent for reworking improvised recordings: <a href=\"https://en.wikipedia.org/wiki/Panthalassa:_The_Music_of_Miles_Davis_1969%E2%80%931974\" rel=\"noopener noreferrer\" target=\"_blank\">Wikipedia </a> · <a href=\"https://album.link/i/203777546\" rel=\"noopener noreferrer\" target=\"_blank\">streaming</a></li><li>Butch Morris, who gave Bernstein some of his earliest New York gigs, and his theory of <a href=\"https://www.conduction.us/\" rel=\"noopener noreferrer\" target=\"_blank\">Conduction</a></li></ul><p>—</p><ul><li>Dig into this episode's complete show notes at <a href=\"https://www.podcast.thetonearm.com\" rel=\"noopener noreferrer\" target=\"_blank\">podcast.thetonearm.com</a></li></ul><p>—</p><p>• Did you enjoy this episode? Please share it with a friend! You can also rate <em>The Tonearm</em> ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.</p><p> • Subscribe! Be the first to check out each new episode of <em>The Tonearm</em> in your podcast app of choice.</p><p> • Looking for more? Visit <a href=\"https://podcast.thetonearm.com\" rel=\"noopener noreferrer\" target=\"_blank\">podcast.thetonearm.com</a> for bonus content, web-only interviews + features, and the <em>Talk Of The Tonearm</em> email newsletter. You can also follow us on <a href=\"https://bsky.app/profile/thetonearm.com\" rel=\"noopener noreferrer\" target=\"_blank\">Bluesky</a>, <a href=\"https://social.lol/@thetonearm\" rel=\"noopener noreferrer\" target=\"_blank\">Mastodon</a>, <a href=\"https://www.youtube.com/@TheTonearm\" rel=\"noopener noreferrer\" target=\"_blank\">YouTube</a>, and <a href=\"https://www.linkedin.com/company/the-tonearm/\" rel=\"noopener noreferrer\" target=\"_blank\">LinkedIn</a>.</p><p> • Be sure to bookmark our online magazine, <em>The Tonearm</em>! → <a href=\"https://www.thetonearm.com\" rel=\"noopener noreferrer\" target=\"_blank\">thetonearm.com</a></p>","author_name":"Lawrence Peryer"}