{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/62b9a71d9dcbc00012da9355/62b9c5730ef6f80012047dd0?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Andre Patrao – Chora L Works (Parc de la Villette)","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/cover/1656333978206-5f9644c48b9d517cf9a69e3972a6a0cb.jpeg?height=200","description":"<p>Parc de la Villette was emblematic of the strong ties made between the disciplines of architecture and philosophy in the1980's, where “Deconstructivism” in particular became a theoretical framework through which buildings and landscapes were both designed and interpreted.&nbsp;</p><p><br></p><p>Visual fragmentation and conceptual links to semiotic analysis characterised this period of architecture, and originating in projects such as Chora L. Works. A collaboration between Peter Eisenman and Jaques Derrida, the unrealised Chora project was intended to stand within the Parc de la Villette complex as an ode to a dialogue between architecture and philosophy.&nbsp;</p><p><br></p><p>In light of such pressing issues as climate change, decolonisation and spatial inequality, the formal experimentation and philosophical inquiry of Chora L Works can appear abstract and disengaged; In this episode Andre Patrao reflects on this period of recent architectural history&nbsp;and what can we learn from it.</p><p><br></p><p>Power &amp; Public Space is a co-production of <a href=\"https://drawingmatter.org/\" rel=\"noopener noreferrer\" target=\"_blank\">Drawing Matter</a> &amp; the <a href=\"https://www.architecturefoundation.org.uk/\" rel=\"noopener noreferrer\" target=\"_blank\">Architecture Foundation</a></p>","author_name":"Drawing Matter & The Architecture Foundation "}