{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/62b0de082f353c00144a202f/6a04ef848ef9368973a8649e?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Camila Morrone: Something Very Bad Is Going to Happen Ending Explained","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/62b0de082f353c00144a202f/1778708023103-03796d22-030e-426e-a429-623c30642937.jpeg?height=200","description":"<p>2018’s<em>&nbsp;</em><a href=\"https://collider.com/tag/the-haunting-of-hill-house/\" rel=\"noopener noreferrer\" target=\"_blank\"><strong><em>The Haunting of Hill House</em></strong></a><strong>&nbsp;</strong>was a game changer for Netflix,&nbsp;<strong>Mike Flanagan</strong>, and for genre storytelling. Flanagan already had success in the feature film realm with&nbsp;<strong><em>Oculus</em></strong>,&nbsp;<strong><em>Hush</em></strong>, and&nbsp;<strong><em>Ouija: Origin of Evil</em></strong>, just to name a few, but&nbsp;<em>Hill House</em>&nbsp;was the type of hit that sent his career soaring, and paved the way to four more series with Netflix. Every single one of those shows was a feat in genre storytelling. They made Netflix a go-to destination for high-quality horror, and also amplified the fact that horror is a genre with range and significant substance. Yes, there are jump scares, blood and gore, but you can also tell a deeply human horror story that can be both bone chilling&nbsp;<em>and</em>&nbsp;soulful.</p><p><br></p><p>After 2023’s&nbsp;<a href=\"https://collider.com/tag/the-fall-of-the-house-of-usher/\" rel=\"noopener noreferrer\" target=\"_blank\"><strong><em>The Fall of the House of Usher</em></strong></a>, Flanagan’s run with Netflix came to an end and off he&nbsp;<a href=\"https://collider.com/mike-flanagan-stephen-king-carrie-tv-series/\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>went to Amazon MGM Studios</strong></a>&nbsp;where he signed an exclusive multi-year TV pact. Three years later, Netflix found a creator capable of filling the Flanagan void. It’s&nbsp;<strong><em>Something Very Bad Is Going to Happen</em></strong>’s&nbsp;<strong>Haley Z. Boston</strong>. And the success of her eight-episode limited series isn’t only sending her star soaring. It also confirms that star&nbsp;<strong>Camila Morrone&nbsp;</strong>is and should continue to be a genre star.</p><p><br></p><p>With&nbsp;<em>Something Very Bad Is Going to Happen</em>&nbsp;currently enjoying a position in Netflix’s Top 10 TV Shows in the US, Morrone sat down for a&nbsp;<a href=\"https://collider.com/tag/ladies-night/\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Collider Ladies Night</strong></a>&nbsp;interview to discuss her collaboration with Boston, and also to talk about her first go-around in the horror genre.</p>","author_name":"Collider"}