{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/625257b7b2bba400142b1a9c/66238cec89657900116a1d56?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Context, Understanding and Evolution","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/625257b7b2bba400142b1a9c/1713605163506-027f43b4cd60ab3dba7d094110930930.jpeg?height=200","description":"<p><strong>Season 2 Episode #2</strong></p><p><strong>&nbsp;</strong></p><p><strong>Title: Context, Understanding and Evolution</strong></p><p><br></p><p><strong>Guest: </strong>Dr. David Larkin, University of Sydney, (SCM)</p><p><br></p><p><strong>Overview</strong></p><p>In this conversation, David discusses two prominent aspects of his musicological research methodologies, historical and analytical, the differences between the Australian and British/Irish tertiary music contexts, how his professional practice has evolved in response to these alternate situations and the differences in remits between national musical associations in these countries.</p><p>David freely discusses different forms of musical literacies and the effects of technological affordances on analysts and students; he offers considered insights into the advantages and disadvantages of different modes of musical understanding. David also discusses what explorations of sociocultural and historical facets of music creation and music making can offer the researcher alongside analytical study, while making practical references to various scholars, their contributions, and influences.</p><p>Lastly, David canvasses emerging music theories (new Formenlehre and Schema theory) and their relevance to him and his analytical practice.</p><p><br></p><p><strong>Want to know more?</strong></p><ul><li>Larkin, D. (2024). ‘Richard Strauss Online’. <em>Nineteenth-Century Music Review</em> (April 2024) <a href=\"https://doi.org/10.1017/S1479409824000065\" rel=\"noopener noreferrer\" target=\"_blank\">https://doi.org/10.1017/S1479409824000065</a></li><li>Larkin, D., Nguyen, C. (2023). Moving Things Around: The Australian Ballet’s Adaptation of The Merry Widow (1975). In Bruno Bower, Elisabeth Honn Hoegberg, Sonja Starkmeth (Eds.), <em>Genre Beyond Borders: Reassessing Operetta</em>, (pp. 189-208). London and New York: Routledge.</li><li>Larkin, D. (2022). A stylistic crossroad: Sardanapalo and the reassessment of Liszt. <em>Royal Musical Association Research Chronicle</em>.</li><li>Larkin, D. (2021). The 'War' of the Romantics. In Joanna Cormac (Eds.), <em>Liszt in Context</em>, (pp. 85-93). Cambridge: Cambridge University Press.</li><li>Larkin, D. (2021). What the Climber Saw: Strauss's Alpensinfonie and the Romantic Tradition of Nature Representation. <em>Nineteenth Century Music Review</em>, 1-31.</li></ul><p><br></p><p>Intro/outro music, Sine Qua Non composed by Nick Freer&nbsp;</p>","author_name":"The Musicological Society of Australia"}