{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/624f07c711ec4a0016304237?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Doublers Podcast","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/624f07c711ec4a0016304237/show-cover.jpg?height=200","description":"<p>It often feels like a music career has two paths: performance or teaching. Our sense of self gets wrapped up in identifying as a \"musician\", and there's a certain pressure to stay strictly within those two paths in order to maintain that identity. If you're making money in another industry, are you a musical failure? Long before the pandemic, many musicians relied on secondary skills to pay the bills: often in careers that have nothing to do with music, teaching, or the degree they earned. Listen to their stories here.</p>","author_name":"Erin Paul Ozolins"}