{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6244c5e4400f8f0012a550fc/66d4edfd4c501f5496be8ce4?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Stoner Noir Mysteries Part I w/ Doc Inferno & Recluse","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6244c5e4400f8f0012a550fc/1725230391999-be44a9f5-00dc-4ec2-9fa6-3a0d39da2004.jpeg?height=200","description":"<p>stoner noir, <em>Inherent Vice</em>, <em>The Big Lebowski</em>, <em>Under the Silver Lake</em>, film noir and it's characteristics, <em>Psycho</em>&nbsp;as noir, horror, giallo, slasher films, neo-noir, John Boorman, <em>Point Blank</em>, Roman Polanski, <em>Chinatown</em>, origins of stoner noir, Robert Altman, <em>The Long Goodbye</em>, Leigh Brackett, Altman/Brackett's subversion of the detective film, Raymond Chandler, Jim Thompson, <em>The Late Show</em>, Shane Black, Black's quartet of private detective films, <em>The Last Boy Scout</em>, <em>True Romance</em>, Tony Scott, Quentin Tarantino, is Tarantino stoner noir?, the characteristics of a stoner noir movie,</p><p><br></p><p>Music by: Keith Allen Dennis</p><p><a href=\"https://keithallendennis.bandcamp.com/\" rel=\"noopener noreferrer\" target=\"_blank\">https://keithallendennis.bandcamp.com/</a></p><p><br></p><p>Additional Music: Cypress Hill</p>","author_name":"Recluse"}