{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6242eba8dc35fe00156da157/65b28a2985ae6700163b940c?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"51. (ATASTTC) Oscar nominations - and the wonder of Jodie Foster","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6242eba8dc35fe00156da157/1718300853063-ff8f96b716b75deb892475674432b171.jpeg?height=200","description":"<p>As the Oscar nominations are announced, Sarah and Nancy ask whether 13 nominations for Oppenheimer, the treatment of Barbie and the omission of Greta Gerwig from the best director list reveals a reversion to type in Hollywood's attitudes to women. And they talk about Nyad, a film which has brought Oscar nominations for both Annette Bening and Jodie Foster - who is also on TV in True Detective.  She is brilliant in both, which prompts a conversation about growing up with child stars.  We've been watching Foster since she was nominated as best supporting actress for Taxi Driver 1976 - how does that knowledge of her on screen affect how we view her? </p>","author_name":"Sarah Crompton & Alex Wood"}