{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6242eba8dc35fe00156da157/64f6fec7d5566e001093a8fe?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"38. (ATASTTC) Feel-everything musicals and why they work","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6242eba8dc35fe00156da157/1718301899889-a9d7aecb4f5e0599c3a960ba088aab29.jpeg?height=200","description":"<p>The opening of Next to Normal at the Donmar Warehouse - a musical about bi-polar illness - prompts a conversation about the need for honesty on stage and whether there's a difference between US and British musicals.  Plus Sarah reveals why she finally got Brecht and Nancy talks about her love of big songs in small spaces.</p>","author_name":"Sarah Crompton & Alex Wood"}