{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/623317507e51370012bc96c3/6436b3a23b34ac0011975a2a?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The future of music journalism with NME's Holly Bishop","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/623317507e51370012bc96c3/1648558737757-1e7e6b3b3dfbf86ae760f0222755cc2b.jpeg?height=200","description":"<p>NME was founded as a newspaper devoted to rock music back in 1952. More than 70 years on, and NME is no longer in print and covers a broad range of music, as well as film, TV and gaming.&nbsp;</p><p>In this week's podcast, Holly Bishop, the chief operating officer of NME Networks, which also includes Uncut, Musictech and&nbsp;Guitar.com, speaks to Press Gazette's William Turvill about the future of music journalism and the challenges of keeping NME relevant as a brand in 2023.</p><p><br></p>","author_name":"New Statesman Media Group"}