{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/621756e12da4290013f9bec8/621cfe26883846001397033c?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Moving Bodies","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/undefined/1645695950924-4fa936e85d474f8c1d4b86685b68a0a6.jpeg?height=200","description":"<p>Kate Newey and Kate Holmes talk about moving bodies, equipment assisting movement and why we should care about silent moving bodies. They touch upon gendered ideas, costume, risk and how elite ballet developed from the popular entertainment of pantomime.</p><p><br></p><p>Entertainments, performers, movements &amp; incidents:&nbsp;</p><p><br></p><ul><li>Entertainment: Pleasure Gardens (including Cremorne &amp; Vauxhall)</li><li>Entertainment: Music Hall</li><li>Entertainment: Concert Dance</li><li>Entertainment: Ballet. For more on differences between romantic &amp; classical see: <a href=\"https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fwww.blackpoolgrand.co.uk%2Fdifferent-types-ballet&amp;data=04%7C01%7Ck.j.holmes%40exeter.ac.uk%7Cc8d287f316f141e08e6c08d9e0af155b%7C912a5d77fb984eeeaf321334d8f04a53%7C0%7C0%7C637787866260362595%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C2000&amp;sdata=k1XecqNE%2BiqGMiwRyZWhyqgbOQjtj8Xa7F8xpT%2FCsaA%3D&amp;reserved=0\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.blackpoolgrand.co.uk/different-types-ballet</a></li><li>Entertainment: Nineteenth Century Burlesque – this doesn’t have the same meaning as today. For more see: <a href=\"https://eur03.safelinks.protection.outlook.com/?url=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FVictorian_burlesque&amp;data=04%7C01%7Ck.j.holmes%40exeter.ac.uk%7Cc8d287f316f141e08e6c08d9e0af155b%7C912a5d77fb984eeeaf321334d8f04a53%7C0%7C0%7C637787866260362595%7CUnknown%7CTWFpbGZsb3d8eyJWIjoiMC4wLjAwMDAiLCJQIjoiV2luMzIiLCJBTiI6Ik1haWwiLCJXVCI6Mn0%3D%7C2000&amp;sdata=aJ3zbTyrxILtRD2rOJKv36EI8BgVduz2Jt%2FpU8Nof0k%3D&amp;reserved=0\" rel=\"noopener noreferrer\" target=\"_blank\">https://en.wikipedia.org/wiki/Victorian_burlesque</a></li><li>Aerialist: Jules Léotard</li><li>Physical Culture Movement: Muscular Christianity</li><li>Aerialist: Mademoiselle Azella</li><li>Ballet: Adam, Adolphe (1841) <em>Giselle, ou les Wilis</em></li><li>Train accident: 1918 Hagenbeck Wallace train wreck</li><li>Stage technology: trap doors. See <a href=\"https://youtu.be/-TyNJKbB88g \" rel=\"noopener noreferrer\" target=\"_blank\">this video</a> for nineteenth century traps still working at the Gaiety on the Isle of Man.</li></ul><p><br></p><p>Want to find out more after this podcast? Here's our pick of <a href=\"https://wordpress.com/page/theatreandvisualculture19.wordpress.com/1768\" rel=\"noopener noreferrer\" target=\"_blank\">free online resources</a>.</p><p><br></p><p>Music: <em>Ambient piano &amp; strings</em> by <a href=\"https://pixabay.com/music/search/zakharvalaha/\" rel=\"noopener noreferrer\" target=\"_blank\">ZakharValahaa</a>.</p>","author_name":"Theatre & Visual Culture in the Long Nineteenth Century Project"}