{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/621756e12da4290013f9bec8/621cfb9a40c0770013583172?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Panto's Progress","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/undefined/1645695950924-4fa936e85d474f8c1d4b86685b68a0a6.jpeg?height=200","description":"<p>Kate Newey and Jim Davis are back talking about Pantomime as a rough demotic physical performance form that developed from Commedia dell’arte and defied censorship. They discuss panto as a profitable industry that continues to adapt and reflect its age and what that has meant over the last few hundred years.</p><p>&nbsp;</p><p>Plays, people and performance forms named in this podcast:&nbsp;</p><p><br></p><ul><li>16/18th century performance form: Commedia dell’arte&nbsp;</li><li>Pantomime clown: Joseph Grimaldi</li><li>Actor/Manager: John Rich</li><li>Actor/Manager: David Garrick</li><li>Actor/Manager: Augustus Harris</li><li>Music Hall Comedian &amp; Pantomime Dame: Dan Leno</li><li>Actor/Manager: Eliza Vestris</li><li>Recent Pantomime Dame &amp; Pantomime Writer: Chris Harris, Bath Theatre Royal</li><li>Recent Pantomime Dame: Clive Rowe, Hackney Empire</li><li>Interview: <a href=\"https://www.youtube.com/watch?v=hoLUdoxQ1mw\" rel=\"noopener noreferrer\" target=\"_blank\">Kate Newey speaking to Chris Harris &amp; Clive Rowe</a></li><li>Actor-Acrobat/Manager: George Conquest</li></ul><p><br></p><p>Want to find out more after this podcast? Here's our pick of <a href=\"https://wordpress.com/page/theatreandvisualculture19.wordpress.com/1768\" rel=\"noopener noreferrer\" target=\"_blank\">free online resources</a>.</p><p><br></p><p>Music: <em>Ambient piano &amp; strings</em> by <a href=\"https://pixabay.com/music/search/zakharvalaha/\" rel=\"noopener noreferrer\" target=\"_blank\">ZakharValahaa</a>.</p>","author_name":"Theatre & Visual Culture in the Long Nineteenth Century Project"}