{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/61e1773c414de60014cb7c3a/64c39e17dc471e00117a09ba?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Future Of A.I. Art","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61e1773c414de60014cb7c3a/1692275313910-bef9d99f87b55bad4cb1a77107fbd7a7.jpeg?height=200","description":"<p>There has been an explosion of interest in ‘creative AI’, but does this mean that artists will be replaced by machines? What are the ethics of computer generated art? What are the exciting possibilities?</p><p><br></p><p><a href=\"https://www.georgeimafidon.com/\" rel=\"noopener noreferrer\" target=\"_blank\">George Imafidon</a> - Young Engineer Of The Year 2022 - speaks to some real humans about artificial artistry:  </p><p><a href=\"https://www.robots.ox.ac.uk/~mosb/\" rel=\"noopener noreferrer\" target=\"_blank\">Michael A Osbourne</a> is Professor of Machine Learning at Oxford University, and <a href=\"https://www.leopardless.com/\" rel=\"noopener noreferrer\" target=\"_blank\">Briana Brownell</a> is a futurist data scientist.  </p><p><br></p><p>Follow @QEPrize on <a href=\"https://twitter.com/QEPrize\" rel=\"noopener noreferrer\" target=\"_blank\" style=\"background-color: rgb(255, 255, 255);\">Twitter</a>, <a href=\"https://www.instagram.com/qeprize\" rel=\"noopener noreferrer\" target=\"_blank\" style=\"background-color: rgb(255, 255, 255);\">Instagram</a>, and <a href=\"https://www.facebook.com/qeprize/\" rel=\"noopener noreferrer\" target=\"_blank\" style=\"background-color: rgb(255, 255, 255);\">Facebook</a> for more info. </p><p>New episodes - conversations about how to rebuild the world better - every other Friday.</p><p><br></p>","author_name":"Queen Elizabeth Prize for Engineering"}