{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/61c869811c6a7900119a34ed/626d2ff9d559510012d76e7b?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Music in the Islamic World (Part 2)","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61c869811c6a7900119a34ed/1651322861957-4b87ad8b11f1ed3b1a0a3761e325bbb5.jpeg?height=200","description":"<p>The long awaited second part of my series about music in the Islamic world!</p><p><br></p><p>Sources/Further Reading:</p><ul><li>Hammarlund, Anders, Tord Olsson &amp; Elizabeth Özdalga (1997). \"Sufism, Music and Society in Turkey and the Middle East\". Swedish Research Institute in Istanbul. </li><li>Saeed, Yousuf. \"Amir Khusrau and the Indo-Muslim Identity in the Art Music Practices of Pakistan\". </li><li>Schofield, Katherine Ruth (2003). \"Hindustani music in the time of Aurangzeb\". King's college London.</li><li>Sharma, Sunil (2005). \"Amir Khusraw: the Poet of Sultans and Sufis\". In \"Makers of the Muslim World\" Series. Oneworld.</li><li>Soydaş, M. Emin (2011). \"Musical performance at the Ottoman court in the sixteenth and seventeenth centuries\". SOAS (University of London).</li><li>Wright, Owen (1994). \"'Abd al-Qādir al-Marāghī and 'Alī B. Muḥammad Binā'ī: Two Fifteenth-Century Examples of Notation (Part 1 &amp; 2)\". Bulletin of the School of Oriental and African Studies, University of London, Vol. 57, No. 3 (1994), pp. 475-515. Cambridge University Press.</li><li>Wright, Owen (1996). \"On the Concept of a 'Timurid Music'\". </li><li>Wright, Owen (1978). \"The Modal System of Arabic and Persian Music A.D. 1250-1300\". Oxford University Press.</li><li>Wright, Owen (2018). \"Music Theory in the Safavid Era: The taqsīm al-naġamāt\".  Routledge; 1st edition.</li></ul><p><br></p><p><br></p>","author_name":"Filip Holm"}