{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/61b8e818cb08390012d2158e?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Gillian Hills - A Life In Art, Film and Music","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/undefined/1639506327517-6b62c5a1c3fc929cdac6412af177fbfb.jpeg?height=200","description":"<p>Gillian Hills gives us a detailed insight into her early life in film, music and art where she was discovered in France by legendary film director, screenwriter, <strong>Roger Vadim</strong>; the director of <strong>‘And God Created Woman’</strong> and <strong>‘Barbarella’</strong>, who saw her as the next <strong>Brigitte Bardot</strong> and cast her in a version of <strong>‘Les Liaisons Dangereuses’</strong> (1959).</p><p><br></p><p><strong>Gillian went on to become</strong> a sixties film icon appearing in movies like <strong>‘Beat Girl’</strong>, her first film at just 15, in England. <strong>‘Beat Girl’</strong> (1960) tells the story of a young rebellious teenager who spends her nights clubbing and dancing to rock &amp; roll. This was <strong>John Barry’s</strong> first film score. Her co-star was a young <strong>Adam Faith</strong> and <strong>Oliver Reed</strong> in their first credited film roles.</p><p><br></p><p>Gillian also played other key film roles in the classics <strong>‘Blow Up’</strong> (1966) and <strong>Stanley Kubrick’s</strong> <strong>‘A Clockwork Orange’</strong> (1971) which she discusses in extensive detail with the renowned film critic Anna Smith.</p>","author_name":"Gillian Hills"}