As fledgling graphic designers, Felix and his co-founder Germaine were held at arm's length by clients. While developing a brand identity for a restaurant, they never had a chance to taste the food. Another client claimed to do guerilla marketing but actually did above-the-line advertising, and when Felix pointed this out, he was told to stick to designing the logo.
“I felt like we were just designing the candy wrapper for this thing. I didn't really know what we were selling, whether it was good, whether it lived up to its promise.”
The situation amplified the value (or lack thereof) businesses saw in design. Design Film Festival — the studio’s first, most visible, and longest-running venture — was their response to the need to educate non-designers about the value of design.
“The design conversation had to move beyond its professional ghetto,” Felix says. A conference or book wasn’t the solution. “It's difficult to convince a banker or a housewife to go out and buy a huge design book, but if you ask them to spend 70 minutes watching a film on Dior, that’s quite simple.”
They convinced movie distributors in the US and Europe they were legit film festival producers and assembled a lineup of 8 films screened over 10 days in a 100-seat theatre.
On the first day, only 30 people showed up.
","author_name":"Timi Siytangco"}