{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/61af96a88a38950013f73d12/6a1f0468a5a56cd15103f45a?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"It Doesn’t Have to Be Perfect to Be Good","description":"<p>Martin and Billy are back in the studio, covering everything from live music during a half marathon to Eurovision, persistence, and why enjoying the process still matters if you want to keep making music.</p><p>The main album discussion focuses on Alanis Morissette’s <em>Jagged Little Pill</em>, looking at why the record still feels powerful decades later. They talk about the sound of the album, its mix of rock guitars, pop hooks and confessional songwriting, and why the performances work because they feel real rather than polished into perfection.</p><p>The conversation also turns to modern production, pitch correction and the danger of fixing everything simply because the technology allows it. Sometimes the thing that makes a recording connect is the part that feels human.</p><p>Topics include:</p><p> • Live music and the energy it creates</p><p> • Eurovision and what makes a song connect</p><p> • Persistence in the music business</p><p> • Alanis Morissette and <em>Jagged Little Pill</em></p><p> • Raw vocals vs perfect vocals</p><p> • Why production should serve the record</p><p> • Over-polishing and modern recording habits</p><p> • Choosing the right process for the music</p><p>Find Apollo Audio online:</p><p> <a href=\"https://apollo-audio.co.uk\" rel=\"noopener noreferrer\" target=\"_blank\">https://apollo-audio.co.uk</a></p>","author_name":"The Apollo Audio Podcast"}