{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/61af96a88a38950013f73d12/6983b80137d752e9a361a7c1?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"David Bowie’s Blackstar – A Haunting Final Statement","description":"<p>In this week’s episode of <strong>The Apollo Audio Podcast</strong>, Martin and Billy talk about why people still bother making records (and why that matters), plus a few things currently doing the rounds in the music world.</p><p>They discuss generative AI music and <strong>Suno</strong> (including a CEO comment that sparked a bigger conversation about creativity), the Brit Awards and who actually gets platformed on big TV performances, and a provocative idea that “the invention of headphones” changed modern music by turning listening into a more private experience.</p><p><br></p><p>In the recommended listening section, Martin and Billy dive into <strong>David Bowie’s Blackstar</strong>, the haunting, jazz-leaning final album — what it made them feel, what they respected about it, and whether they’d reach for it again.</p><p><br></p><p>Recorded at Apollo Audio Hertford.</p><p><br></p><p>David Bowie Blackstar, AI music, Suno, Brit Awards 2026, music listening culture, headphones, album discussion.</p>","author_name":"The Apollo Audio Podcast"}