{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/61af96a88a38950013f73d12/6977f97ef159e0c13773ebff?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Bandcamp Rejects AI Music – What It Means for Artists","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/61af96a88a38950013f73d12/1769470328197-150315a3-0d41-4414-bb94-3675e351b710.jpeg?height=200","description":"<p>In this week’s episode of <strong>The Apollo Audio Podcast</strong>, Martin and Billy discuss Bandcamp’s decision to reject AI-generated music from the platform and what that could mean for artists, platforms, and the wider role of AI in music. They also share their thoughts on the Brit Awards and how relevant they feel they are within today’s music landscape.</p><p><br></p><p>In the recommended listening section, Martin and Billy discuss <strong>Hayley Williams</strong>’ latest album <em>Ego Death at a Bachelorette Party</em>, breaking down what stands out, what resonates, and whether they think it’s recommended listening for you.</p><p><br></p><p>Recorded at Apollo Audio Hertford.</p>","author_name":"The Apollo Audio Podcast"}