{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/61a5f5d879ae560013704b11/69bc1e6e62f6c66afe4e680b?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Somto Ajuluchukwu","description":"<p>What a pleasure to welcome Somto Ajuluchukwu to the podcast for such an incredibly spontaneous episode.</p><p><br></p><p>We actually met in the most unexpected way. I recognized him in the streets of San Lorenzo from an exhibition he had just opened. I simply stopped him to say congratulations, and just two hours later, we found ourselves sitting in the studio having this deep, intimate conversation.</p><p><br></p><p>Somto’s journey to this moment is fascinating. He came to Rome to present his exhibition, \"Objects of Power\"—a project born from a wonderful encounter during his visit to the MIA market. Through sculpture and new experimentations, he delivers a strong message, asking a powerful question: <em>What if African civilizations were allowed to evolve uninterrupted?</em></p><p><br></p><p>In this episode, we dive into his creative process and what it means to truly express yourself as an artist. We talk about the magic of crossing paths with people, the art of experimenting, and his approach to the city. We also discuss why bringing this specific narrative to Rome is so significant, especially since, as he points out, \"Rome was a city that thrived on conquest.\"</p><p><br></p><p>Somto brings a profound perspective to art, legacy, and life. Through our dialogue, we discover a beautiful reflection when he notes that \"we give too much credit to remembering our names,\" and we explore how, amidst his artistic research and deep connection to the city, he has quietly found a true sense of home here in Rome.</p>","author_name":"Good Dramma"}