Do Manchester's theatres have a class problem? Robert Pegg, a playwright and police station representative, seems to think so. In a remarkable long read for The Mill, he argues that working-class creatives have been confined to the fringe scene, with commissioning editors mainly looking towards their own narrow class to fill vacancies. So how do we address these imbalances, and how do we ensure we hear from more great working-class writers like Shelagh Delaney and Trevor Griffiths in the future?
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