{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6117c0b0-4005-4b73-9a23-0b726d9701df/0f328417-d618-4eca-9f33-cb2a45281fd0?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Forough Farrokhzad","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/60d20f99bff6721180d53ca0/60d20fb59328f300193ccfe2.png?height=200","description":"<p>For over 1000 years, poetry has remained one of the most important traditions of Persian culture. So when, in the mid-twentieth century, a young woman emerged with a voice that spoke with a whirlwind of desire, a voice yearning with love, intimacy, and insight well beyond her years, the establishment was shaken. With a tumultuous love life that saw her become one of Iran's most controversial and scandalous public figures, Farrokhzād suffered under the glaring public eye. But she was also a mother, a filmmaker, and a visionary. Despite her poetry being banned for more than a decade after the Iranian Islamic Revolution, today she is seen as one of Iran's most revered poets, a woman with the audacity to speak taboos in a revolutionary form.</p><p><br></p><p>Join us for the last episode of Season Four as we explore one of the most extraordinary poets of the twentieth century.&nbsp;</p><p><br></p><p><strong>Selected References</strong></p><p>Dehghan, Saeed Kamali. “Former lover of the poet known as Iran's Sylvia Plath breaks his silence.” <em>The Guardian, </em>Mon 13 Feb, 2017. <a href=\"https://www.theguardian.com/books/2017/feb/12/forough-farrokhzad-iranian-poet-ebrahim-golestan-slyvia-plath\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.theguardian.com/books/2017/feb/12/forough-farrokhzad-iranian-poet-ebrahim-golestan-slyvia-plath</a></p><p><em>Forugh Farrokhzad: The Rebel Poet of Iran, </em><a href=\"http://farrokhzadpoems.com/\" rel=\"noopener noreferrer\" target=\"_blank\">http://farrokhzadpoems.com/</a></p><p><em>Forugh Farrokhzad</em>. 2018. <a href=\"https://www.forughfarrokhzad.org/index1.htm\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.forughfarrokhzad.org/index1.htm</a></p><p>Ghasemi, Parvin, and Farideh Pourgiv. \"Captivity, Confrontation, and Self‐Empowerment: identity in Forugh Farrokhzad’s poetry.\"&nbsp;<em>Women's History Review</em>&nbsp;19.5 (2010): 759-774.</p><p>Hillmann, Michael C., <em>A. Lonely Woman. \"Forugh Farrokhzad and Her Poetry.\"</em>&nbsp;<em>Washington DC: Mage Publishers</em>&nbsp;(1987).</p><p>Milani, Farzaneh. \"Love and sexuality in the poetry of Forugh Farrokhzad: A reconsideration.\"&nbsp;<em>Iranian Studies</em>&nbsp;15.1-4 (1982): 117-128.</p><p>Radjy, Amir-Hussein. “Overlooked No More: Forough Farrokhzad, Iranian Poet Who Broke Barriers of Sex and Society.” <em>New York </em>Times, Jan 30, 2019. <a href=\"https://www.nytimes.com/2019/01/30/obituaries/forough-farrokhzad-overlooked.html\" rel=\"noopener noreferrer\" target=\"_blank\">https://www.nytimes.com/2019/01/30/obituaries/forough-farrokhzad-overlooked.html</a></p><p>Zubizarreta, John. \"The woman who sings no, no, no: Love, freedom, and rebellion in the poetry of Forugh Farrokhzad.\"&nbsp;<em>World Literature Today</em>&nbsp;66.3 (1992): 421-426.</p><p><br></p><p>If you want to support Deviant Women, follow us on:&nbsp;</p><p><a href=\"https://create.acast.com/episodes/f233b879-0ddc-4c80-a104-d649d407a896/www.patreon.com/user?u=6251394\" rel=\"noopener noreferrer\" target=\"_blank\">Patreon</a></p><p><a href=\"https://twitter.com/DeviantWomen\" rel=\"noopener noreferrer\" target=\"_blank\">Twitter</a> @DeviantWomen</p><p><a href=\"https://www.facebook.com/deviantwomenpodcast/\" rel=\"noopener noreferrer\" target=\"_blank\">Facebook</a> @deviantwomenpodcast</p><p><a href=\"https://www.instagram.com/deviantwomen/\" rel=\"noopener noreferrer\" target=\"_blank\">Instagram</a> @deviantwomenpodcast</p><p><br></p><p>Deviant Women is recorded and produced on the lands of the Kaurna People and we pay respect to Elders past, present and emerging.</p>","author_name":"Lipp Media"}