{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/60f9d3117dd5480012f98d37/6a0d55acbf331222892d1b86?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Specifics Create Dynamics","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/60f9d3117dd5480012f98d37/1779259365687-cb779da3-16e1-43bb-8558-b0eaed9409fe.jpeg?height=200","description":"<p>Specifics create dynamics. I love this idea.I watched Ethan Hawke talking about this in regards to acting and pretty much immediately thought, “The same applies to lyrics!” and figured that, as I have a podcast, I should figure out some thoughts on the topic! So what I want to do is go through a few examples again of times that this type of specificity crops up in Tom’s lyrics where perhaps it isn’t even needed, but improves the song so much.</p>","author_name":"Kevin Brown"}