In addition to filling in more background knowledge from a scholarly article that I did find on this tale by Jamel Eddine Bencheikh, as well as some musings on the formation of the discipline of Anglophone Japan studies under the influence of Francophone Arabology, we explore this same tale in the nineteenth-century colonial-era British-Indian edition of the now much expanded and more textually baroque version known as Calcutta II. There, we find the first-person narrative interludes removed, or at least refocused away from the process of establishing a secure communication channel between the worker go-betweens, on behalf of the elite patrons. That process also becomes top-down rather than bottom-up, as the negotiation of the connection much more clearly follows an elite commission rather than arising on the initiative of the workers themselves. Meanwhile, textual change has obscured some storytelling choices we saw in the post-1450 version, sometimes strengthening the story but also often leaving loose ends dangling and vestigial inconsistencies that only make sense if we know what the passage used to say. In the way, the text of Calcutta II embodies the growth of oriental despotism or decadence precisely in the time of occidental colonization, both in its form and in its content.
","author_name":"Fergal Schmudlach"}