{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/60aedc8489e13b0012e69274/6114fc3b92391a0012cadd2e?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Why De Niro is a gangster, not a lover or The case for greatness","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/60aedc8489e13b0012e69274/1628764178590-dee7216cdc503bfeccba9184d30b6bba.jpeg?height=200","description":"<p>In this episode, Dara looks at the unwitting victims of a biblical exorcism before cruising through Michael Cimino's 1978 masterpiece, The Deer Hunter, with particular focus on Robert De Niro's performance in it. A case for greatness is made and De Niro is pitted against Lionel Messi, the Argentinian footballing genius. </p><p><br></p><p>The anthemic God Bless America - the song used in the concluding scene of The Deer Hunter - is discussed along with its attendant controversies, both for the song and the singer Kate Smith, who made it her own through the mid-20th century.</p><p><br></p><p>Reflecting on both America's Vietnam War and revisionist history aspect of cancel culture, Dara concludes with a reflection on the usefulness of revising our own personal histories.</p><p><br></p><p>Website: https://theclearout.com/</p><p><br></p><p>Social: https://twitter.com/DaraClear</p>","author_name":"Dara Clear"}