{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/608ef5ea671d6f6296def08f/6183ba8c0e056a001314d46e?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"The Futurist Manifesto","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/608ef5ea671d6f6296def08f/1636022524450-6ddad0fb895985f1ff0508d08feaaf03.jpeg?height=200","description":"<p>Futurism fuelled Italian Fascism, aesthetically; its Russian variant inspired a worker’s revolution and then ameliorated the early years of communism for an erstwhile bourgeois class that then had to behave itself in keeping with proletarian principles.</p><p><br></p><p>In addition to the analysis, there is the Manifesto related in full, the preface to a Russian volume of prose and poetry, A Slap in the Face of Public Taste, which stands as something of a manifesto for the Russian Futurists. Then there is the Italian Fascist Co-authored by the writer of the Futurist Manifesto, F T Marinetti.</p>","author_name":"Philip Gill"}