{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/608ef5ea671d6f6296def08f/6183b19bd0282b0013da4086?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Marinetti’s Car Crash","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/608ef5ea671d6f6296def08f/1636020585243-e816e29d1493ad794e8eddd23442e025.jpeg?height=200","description":"<p><br></p><p>it could be argued that&nbsp;prior to 1909, Filippo Tommaso Marinetti was a failed writer, and that the Futurist Manifesto was something of a publicity stunt. He had had little success with a drama for the stage performed in Paris the same year the Manifesto appeared, and similarly disappointed with an attempt at writing a novel a year later.</p><p><br></p><p>He later enjoyed considerably more success with Zang Tumb Tumb, as a self-promoting Futurist. This is a sound poem based on his experience of reporting on the Italo-Turkish war for the French newspaper, Figaro. The onomatopoeic and alliterative elements of this work is somewhat evident in the way his driving into a ditch in described in the manifesto.</p><p><br></p>","author_name":"Philip Gill"}