{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/606f1e6da2b67f361ab0b3b9/61f966933403960011297f3c?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"#12 Sara Lord","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/606f1e6da2b67f361ab0b3b9/1643734668177-6cf61efb87bfd75e0dbdb8bfafea3ef1.jpeg?height=200","description":"<p>Today's guest is Sara Lord. In her job as SVP at Concord Music Publishing, she oversees Synch teams around the world.</p><p>Sara's done an awful lot of things in the music industry. She managed Top Loader, Reef and Tom Baxter, taking Top Loader, in particular, to huge success.</p><p>But throughout her career, Sara has had a close connection to that sweet spot where audio meets video, music meets film.</p><p>She started in the video department at Sony, helping create videos to promote singles. She went on to work as a music supervisor sourcing music for Hollywood movies and now promotes the catalogue of Concord for use in Films, TV and Adverts.</p><p>In this episode, Sara explains what Synch is, how it differs between Film, TV and Ads, what music supervisors are looking for and how to pitch your music to them.</p><p>This is highly a recommended listen for those of you looking to get your music more well known and make more money.</p>","author_name":"David Holley"}