{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/605aca46363a4c534daa8534/68871064832514d29076e220?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Gregg Hurwitz","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/605aca46363a4c534daa8534/1753681871801-0e0b7b8b-f246-4ee9-8047-1828fbed9c8f.jpeg?height=200","description":"<p>Today’s guest is someone who has built a career not just on killer plots—but on a deep understanding of what it means to be human.</p><p>Gregg Hurwitz is the bestselling author of <em>26</em> thrillers, the creator of the <em>Orphan X</em> series, and a writer whose work spans everything from comics and screenplays to Shakespearean tragedy. Yes, really. He holds a master’s from Oxford in exactly that.</p><p>Gregg has written for Marvel and DC, consulted on blockbuster films, helped script the World Cup opening ceremony, and still manages to release a novel a year—each one tightly plotted, psychologically rich, and wildly addictive.</p><p>We talk about everything from how he turned a teenage obsession with storytelling into a life’s work, to what thrillers can teach us about morality, masculinity, and the “strange language of intimacy.” He opens up about creative discipline, the reality of Hollywood deal-making, the evolution of the Orphan X character across ten novels—and why, if you’re writing fiction, it better be the story you <em>have</em> to tell.</p><p>This conversation spans from fifth-grade mystery novels to Shakespeare, from childhood dictionaries to stunt-plane research trips—and somewhere in the middle, we even manage to touch on Bond, Measure for Measure, and what it takes to write something truly timeless.</p><p>Here’s Gregg Hurwitz.</p><p><br></p><p>Today's episode sponsor is Happy Mammoth. Head to www.happymammoth.com with code SMARTER for 15% off.</p>","author_name":"Emily Austen"}