{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/6007ebf7f983a73284ec8ef0/66b0d133c061bfe5b1c4c231?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Cathedral at the end of the world","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/6007ebf7f983a73284ec8ef0/1737983408894-78e99197-e984-44d4-9ca5-45023b95d6b5.jpeg?height=200","description":"<p>Nobelmen and women, in fancy clothing and pearls – but with dragon wings and tails. A laughing man with a full head of curly hair. Lions biting the ears off a man whose mouth is full of writhing serpents. These may sound like a weird combination of a gothic novel and a nightmare, but they're something completely different – a description of some of the eerie and surprising sculptures in Nidaros Cathedral, the northernmost gothic cathedral in the world that's located in NTNU's hometown of Trondheim.</p><p>But what were the messages that stonemasons and religious leaders were trying to send visitors to the cathedral – and how do we interpret these messages 800 years later?</p><p>My guests on today's show are Øystein Ekroll, chief archaeologist and researcher at the Nidaros Cathedral Restoration Workshop and <a href=\"https://www.ntnu.edu/employees/margrete.syrstad.andas\" rel=\"noopener noreferrer\" target=\"_blank\">Margrete Syrstad Andås,</a> an art historian and associate professor at NTNU's Department of Art and Media Studies.</p><p><br></p><p>You can read more about the history of the cathedral in this article from Norwegian SciTech News: <a href=\"https://norwegianscitechnews.com/2017/12/nidaros__cathedral_stones/\" rel=\"noopener noreferrer\" target=\"_blank\">Thousand-year-old cathedral surrenders its secrets, stone by stone</a></p><ul><li>Øystein Ekroll has an article about the building history of the cathedral from 1030 to 1537 that you can find <a href=\"https://www.academia.edu/40041019/The_Building_History_of_Nidaros_Cathedral_1030_1537\" rel=\"noopener noreferrer\" target=\"_blank\">here</a>.</li><li>Øystein's PhD dissertation is available here: <a href=\"https://ntnuopen.ntnu.no/ntnu-xmlui/handle/11250/2372702\" rel=\"noopener noreferrer\" target=\"_blank\">The Octagonal Shrine Chapel of St Olav at Nidaros Cathedral</a></li><li>Øystein and Margrete have also edited a book about the cathedral:</li></ul><p>Andås, Margrete Syrstad, Øystein Ekroll Andreas Haug and Nils Holger Petersen, eds,</p><p><a href=\"https://www.brepols.net/products/978-2-503-52301-9\" rel=\"noopener noreferrer\" target=\"_blank\">The Medieval Cathedral of Trondheim: Architectural and Ritual Constructions in their European Context </a></p><p>(Traditions and Transformations 3), Turnhout, Brepols, 2007</p><ul><li>Andås, Margrete Syrstad. “Art and Ritual in the Liminal Zone.” In he Medieval cathedral of Trondheim : architectural and ritual constructions in their European context. Eds. Margrete Syrstad Andås, Øystein Ekroll, Andreas Haug and Nils Holger Petersen. Turnhout 2007: 47–126.</li><li>Andås, Margrete Syrstad. <a href=\"https://www.academia.edu/9984833/The_Octagon_Doorway_A_Question_of_Purity_and_Danger\" rel=\"noopener noreferrer\" target=\"_blank\">”The Octagon Doorway: A Question of Purity and Danger?” In Ornament and Order.</a> Essays on Viking and Northern Medieval Art for Signe Horn Fuglesang. Edited by Margrethe C.Stang and Kristin B. Aavitsland, 97-134. Trondheim: Tapir, 2008.</li></ul><p><br></p><p>Like what you're hearing? Leave a review, tell your friends, subscribe! And you can contact me, Nancy Bazilchuk, with feedback at nancy.bazilchuk@ntnu.no</p><p><br></p>","author_name":"NTNU"}