{"version":"1.0","type":"rich","provider_name":"Acast","provider_url":"https://acast.com","height":250,"width":700,"html":"<iframe src=\"https://embed.acast.com/$/600303c159e15249146f6467/64394dc7183b3b0011016366?\" frameBorder=\"0\" width=\"700\" height=\"250\"></iframe>","title":"Pulgasari (1985) with Travis Workman","thumbnail_width":200,"thumbnail_height":200,"thumbnail_url":"https://open-images.acast.com/shows/600303c159e15249146f6467/1643813955821-8c5af40d6b8500053c3eb6eee519c9d2.jpeg?height=200","description":"<p>The story behind the North Korean <em>kaiju</em> film <em>Pulgasari</em> is so incredible it's in danger of overshadowing just how interesting the film is itself. In this episode we are joined by <a href=\"https://cla.umn.edu/about/directory/profile/tworkman\" rel=\"noopener noreferrer\" target=\"_blank\"><strong>Travis Workman</strong></a>, Associate Professor of Korean Studies at the University of Minnesota, to try and cover both the making of <em>Pulgasari</em>  and what it might all mean. His chapter \"Parodies of Realism at the Margins of Science Fiction: Sin Sang-ok's&nbsp;<em>Pulgasari</em>&nbsp;and Jang Jun-hwan's&nbsp;<em>Save the Green Planet,</em>\" in&nbsp;<em>Simultaneous Worlds: Global Science Fiction Cinema</em>, forms the basis of the discussion.</p><p><br></p><p><a href=\"https://www.youtube.com/@koreanworld7048\" rel=\"noopener noreferrer\" target=\"_blank\">North Korea has an official YouTube channel! You can find it here</a>.</p><p><br></p><p>Do get in touch with us via Twitter -&nbsp;<a href=\"https://twitter.com/SecondFeatures\" rel=\"noopener noreferrer\" target=\"_blank\">@secondfeatures</a>&nbsp;- or by email -&nbsp;<a href=\"mailto:secondfeaturespod@gmail.com\" rel=\"noopener noreferrer\" target=\"_blank\">secondfeaturespod@gmail.com</a>&nbsp;- if you have any feedback or suggestions. We would love to hear from you! Please also leave us a rating and a review wherever you listen.</p>","author_name":"Second Features"}